Historical fiction lives or dies on its research. Get the details wrong, and knowledgeable readers lose trust in your story. But research is more than fact-checking—it's the process of discovering the telling details that make historical settings come alive.
Here's what we've learned about researching historical fiction effectively.
Start with Overview, Then Go Deep
Resist the urge to dive immediately into primary sources. Start with general histories of your period to understand the broad context. Encyclopedias, survey histories, and well-researched popular histories give you the framework you need before going deeper.
Once you understand the general landscape, identify the specific aspects most relevant to your story. If your character is a blacksmith in 1850s Missouri, you need to know about that specific trade in that specific place and time—not just the Civil War era in general.
Source Hierarchy
Not all sources are equally reliable. In general:
- Primary sources (documents, letters, photographs from the period) are most valuable but require interpretation
- Academic histories synthesize primary sources with scholarly rigor
- Popular histories are useful for overview but should be verified against academic sources
- Wikipedia is a starting point, not a destination—follow its citations to real sources
- Historical fiction by other authors should never be treated as a source; they may have made the same mistakes you're trying to avoid
The Details That Matter
Not all historical details are equally important. Focus your research on:
Sensory Experience
What did your setting smell like? Sound like? Feel like? These details are often missing from formal histories but essential for fiction. Look for diaries, letters, and memoir accounts that describe everyday experience.
Language and Speech
How did people in your period actually talk? What words did they use—and not use? Some terms we consider timeless are actually modern. Others we think are modern have deep historical roots. Dictionaries with historical citations (like the Oxford English Dictionary) help verify when words came into use.
Material Culture
What objects surrounded your characters? What did they wear, eat, use? Museum collections and period catalogs are invaluable here. A character in 1890 might use objects that didn't exist in 1880, and knowing the difference matters.
Social Dynamics
How did people of different classes, genders, races, and ages interact? What was considered normal, scandalous, or unthinkable? These expectations shape character behavior and conflict.
"The goal of research isn't to show off what you know—it's to know enough that your story feels inevitable rather than constructed."
When Research Becomes Procrastination
Research can become a way to avoid writing. You tell yourself you need to know just one more thing before you can start. This is a trap.
At some point, you have to write. Your first draft will contain errors. That's fine—you can research specific questions that arise during writing and fix problems in revision. The goal is "good enough to write," not "complete mastery before starting."
Handling Gaps and Unknowns
Sometimes the historical record simply doesn't tell us what we need to know. In these cases:
- Look for analogies. If you can't find how people in your specific setting did something, look for how people in similar settings did it.
- Make educated inferences. Based on what you do know, what would be consistent with the period?
- Acknowledge uncertainty. In author's notes, you can tell readers what you invented versus what's documented.
- Avoid the gap if possible. Sometimes the best solution is to structure your story so the unknown doesn't need to appear.
The Research Trap: Too Much Accuracy
Paradoxically, too much historical accuracy can hurt your fiction. If you include every detail you've learned, your story becomes a history lecture. The art is in selection—choosing the details that serve the story while leaving out the ones that don't, no matter how interesting they are.
Your job is to create an illusion of historical reality, not to document actual historical reality. Sometimes that means simplifying, omitting, or even slightly adjusting historical facts to serve narrative clarity.
Practical Research Workflow
Here's a workflow that's served us well:
- Initial survey. Read 2-3 general sources about your period and setting.
- Identify story-specific needs. What aspects of history will your story actually touch?
- Deep dive on specifics. Research those aspects thoroughly, using the best sources available.
- Create a reference document. Compile key facts, dates, terminology, and sensory details you might need.
- Write. Use your reference document, flagging anything you're uncertain about.
- Research to fill gaps. After drafting, research the specific questions that arose.
- Sensitivity read. If writing about communities not your own, have knowledgeable readers check your work.
Resources We Recommend
- Library databases. JSTOR, Project MUSE, and similar academic databases contain peer-reviewed historical research.
- Newspaper archives. Many libraries provide access to historical newspaper databases—invaluable for period language and attitudes.
- Google Books. Many out-of-copyright books from your period are freely available and searchable.
- Museum collections online. The Smithsonian, Library of Congress, and many other institutions have digitized collections.
- Historical societies. Local and regional historical societies often have resources not available elsewhere.
Research is a skill that improves with practice. The more historical fiction you write, the better you'll become at knowing what to research, where to find it, and when you have enough to write.